SB 10.45.35-36

The following list comprises the sixty-four subjects mastered by Lord Kṛṣṇa and Lord Balarāma in sixty-four days. Additional information may be found in Śrīla Prabhupāda’s Kṛṣṇa, the Supreme Personality of Godhead.

The Lords learned (1) gītam, singing; (2) vādyam, playing on musical instruments; (3) nṛtyam, dancing; (4) nāṭyam, drama; (5) ālekhyam, painting; (6) viśeṣaka-cchedyam, painting the face and body with colored unguents and cosmetics; (7) taṇḍula-kusuma-bali-vikārāḥ, preparing auspicious designs on the floor with rice and flowers; (8) puṣpāstaraṇam, making a bed of flowers; (9) daśana-vasanāṅga-rāgāḥ, coloring one’s teeth, clothes and limbs; (10) maṇi-bhūmikā-karma, inlaying a floor with jewels; (11) śayyā-racanam, covering a bed; (12) udaka-vādyam, ringing waterpots; (13) udaka-ghātaḥ, splashing with water; (14) citra-yogāḥ, mixing colors; (15) mālya-grathana-vikalpāḥ, preparing wreaths; (16) śekharāpīḍa-yojanam, setting a helmet on the head; (17) nepathya-yogāḥ, putting on apparel in a dressing room; (18) karṇa-patra-bhaṅgāḥ, decorating the earlobe; (19) sugandha-yuktiḥ, applying aromatics; (20) bhūṣaṇa-yojanam, decorating with jewelry; (21) aindrajālam, jugglery; (22) kaucumāra-yogaḥ, the art of disguise; (23) hasta-lāghavam, sleight of hand; (24) citra-śākāpūpa-bhakṣya-vikāra-kriyaḥ, preparing varieties of salad, bread, cake and other delicious food; (25) pānaka-rasa-rāgāsava-yojanam, preparing palatable drinks and tinging draughts with red color; (26) sūcī-vāya-karma, needlework and weaving; (27) sūtra-krīḍā, making puppets dance by manipulating thin threads; (28) vīṇā-ḍamarukavādyāni, playing on a lute and a small x-shaped drum; (29) prahelikā, making and solving riddles; (29a) pratimālā, capping verses, or reciting poems verse for verse as a trial of memory or skill; (30) durvacaka-yogāḥ, uttering statements difficult for others to answer; (31) pustaka-vācanam, reciting books; and (32) nāṭikākhyāyikā-darśanam, enacting short plays and writing anecdotes.

Kṛṣṇa and Balarāma also learned (33) kāvya-samasyā-pūraṇam, solving enigmatic verses; (34) paṭṭikā-vetra-bāṇa-vikalpāḥ, making a bow from a strip of cloth and a stick; (35) tarku-karma, spinning with a spindle; (36) takṣaṇam, carpentry; (37) vāstu-vidyā, architecture; (38) raupya-ratna-parīkṣā, testing silver and jewels; (39) dhātu-vādaḥ, metallurgy; (40) maṇi-rāga-jñānam, tinging jewels with various colors; (41) ākara-jñānam, mineralogy; (42) vṛkṣāyur-veda-yogāḥ, herbal medicine; (43) meṣa-kukkuṭa-lāvaka-yuddha-vidhiḥ, the art of training and engaging rams, cocks and quails in fighting; (44) śuka-śārikā-pralāpanam, knowledge of how to train male and female parrots to speak and to answer the questions of human beings; (45) utsādanam, healing a person with ointments; (46) keśa-mārjana-kauśalam, hairdressing; (47) akṣara-muṣṭikā-kathanam, telling what is written in a book without seeing it, and telling what is hidden in another’s fist; (48) mlecchita-kutarka-vikalpāḥ, fabricating barbarous or foreign sophistry; (49) deśa-bhāṣā-jñānam, knowledge of provincial dialects; (50) puṣpa-śakaṭikā-nirmiti-jñānam, knowledge of how to build toy carts with flowers; (51) yantra-mātṛkā, composing magic squares, arrangements of numbers adding up to the same total in all directions; (52) dhāraṇa-mātṛkā, the use of amulets; (53) saṁvācyam, conversation; (54) mānasī-kāvya-kriyā, composing verses mentally; (55) kriyā-vikalpāḥ, designing a literary work or a medical remedy; (56) chalitaka-yogāḥ, building shrines; (57) abhidhāna-koṣa-cchando-jñānam, lexicography and the knowledge of poetic meters; (58) vastra-gopanam, disguising one kind of cloth to look like another; (59) dyūta-viśeṣam, knowledge of various forms of gambling; (so) ākarṣa-krīḍa, playing dice; (61) bālaka-krīḍanakam, playing with children’s toys; (62) vaināyikī vidyā, enforcing discipline by mystic power; (63) vaijayikī vidyā, gaining victory; and (64) vaitālikī vidyā, awakening one’s master with music at dawn.